By Robert Stecker
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Tambling attracts at the insights of Adorno, Benjamin, Theweleit, Bataille, Kristeva, and others to learn 19th- and early twentieth-century opera as a part of a tradition which produced fascism as a crisis-state, and threatened to extinguish the style as an influential and modern type of excessive artwork.
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- Gli spazi dell'anima (Italian Edition)
- Work and Object: Explorations in the Metaphysics of Art
- World and Worldhood / Monde et Mondanéité: 3 (Philosophical Problems Today)
- Aesthetics and the Sciences of Mind
- Adorno's Theory of Philosophical and Aesthetic Truth (Columbia Themes in Philosophy, Social Criticism, and the Arts)
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Extra info for Aesthetics and the Philosophy of Art: An Introduction (Elements of Philosophy)
Aesthetics and the Philosophy of Art: An Introduction (Elements of Philosophy) by Robert Stecker