By Emory Elliott,Lou Freitas Caton,Jeffrey Rhyne
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Tambling attracts at the insights of Adorno, Benjamin, Theweleit, Bataille, Kristeva, and others to learn 19th- and early twentieth-century opera as a part of a tradition which produced fascism as a crisis-state, and threatened to extinguish the style as an influential and modern kind of excessive paintings.
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- Philosophy's Artful Conversation
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- Dialectical Passions: Negation in Postwar Art Theory (Columbia Themes in Philosophy, Social Criticism, and the Arts)
- Nabokov and the Question of Morality: Aesthetics, Metaphysics, and the Ethics of Fiction
- Towards a Theory of Musical Reproduction: Notes, a Draft and Two Schemata
Additional info for Aesthetics in a Multicultural Age
Aesthetics in a Multicultural Age by Emory Elliott,Lou Freitas Caton,Jeffrey Rhyne