Aesthetics of Negativity: Blanchot, Adorno, and Autonomy - download pdf or read online

By William Allen

ISBN-10: 0823269280

ISBN-13: 9780823269280

Maurice Blanchot and Theodor W. Adorno are one of the such a lot tough but additionally the main profound thinkers in twentieth-century aesthetics. whereas their tools and views vary extensively, they percentage a priority with the negativity of the art conceived when it comes to both its adventure and danger or its serious expression. Such negativity is neither nihilistic nor pessimistic yet issues the prestige of the paintings and its autonomy relating to its context or its event. For either Blanchot and Adorno negativity is the major to figuring out the prestige of the art in post-Kantian aesthetics and, even though it shows how paintings expresses severe chances, albeit negatively, it additionally indicates that paintings bears an irreducible ambiguity such that its that means can continually negate itself. This ambiguity takes on an extra fabric value whilst thought of relating to language because the negativity of the paintings turns into aesthetic within the additional experience of being either brilliant and experimental, and in doing so the language of the literary paintings turns into a kind of considering that permits materiality to be proposal in its ambiguity.

In a chain of wealthy and compelling readings, William S. Allen exhibits how an unique and rigorous mode of considering arises inside of Blanchot’s early writings and the way Adorno’s aesthetics is dependent upon a relation among language and materiality that has been commonly ignored. in addition, by way of reconsidering the matter of the independent murals when it comes to literature, a valuable factor in modernist aesthetics is given a better serious and fabric relevance as a method of considering that's summary and urban, rigorous and ambiguous. whereas examples of this sort of writing are available within the works of Blanchot and Beckett, the calls for that such texts position on readers merely ascertain the demanding situations and the chances that literary autonomy poses to thought.

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Aesthetics of Negativity: Blanchot, Adorno, and Autonomy (Perspectives in Continental Philosophy) by William Allen

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